Twisted Strings
Phase I : 1975 | Phase II : 1976
cotton thread on cotton canvas, white latex
130 x 130 cm (cushion type stretcher)
CR# 1114
130C X 315Phases I et II
Collection
Private Collection
Exhibitions
1984, Brussels, Atelier 340, Warsaw, Galeria Zar, Cracow, Palac Sztuki, Liège Musée d'Art Moderne, Surface sculpturale
1989, Brussels, Atelier 340; Ostend, Provinciaal Museum voor Moderne Kunst, Contribution à l'histoire de la ‘Nouvelle Tendance’
1989, Ludwigshafen am Rhein, Wilhelm-Hack-Museum, Walter Leblanc, Retrospektive
1989, Bottrop, Josef Albers Museum Quadrat, Walter Leblanc, Retrospektive, Bilder – Objekte – Plastiken
1992, Brussels, Atelier 340, Ludwigshafen am Rhein, Wilhelm-Hack-Museum, Warsaw, Museum Narodowe, Waclaw Szpakowski 1883–1973. L'infinitude de la ligne
1989, Brussels, Atelier 340; Ostend, Provinciaal Museum voor Moderne Kunst, Contribution à l'histoire de la ‘Nouvelle Tendance’
1989, Ludwigshafen am Rhein, Wilhelm-Hack-Museum, Walter Leblanc, Retrospektive
1989, Bottrop, Josef Albers Museum Quadrat, Walter Leblanc, Retrospektive, Bilder – Objekte – Plastiken
1992, Brussels, Atelier 340, Ludwigshafen am Rhein, Wilhelm-Hack-Museum, Warsaw, Museum Narodowe, Waclaw Szpakowski 1883–1973. L'infinitude de la ligne
Illustrations
1984, Brussels, Atelier 340, Warsaw, Galeria Zar, Cracow, Palac Sztuki, Surface sculpturale p. 124-125.
1989, Brussels, Atelier 340, Ludwigshafen am Rhein, Wilhelm-Hack-Museum, Bottrop, Josef Albers Museum Quadrat, Salzburg, Museum Carolino Augusteum, Ostend, Provinciaal Museum voor Moderne Kunst, Walter Leblanc. Contribution à l'histoire de ‘Nouvelle Tendance’, p. 94-95.
1992, Brussels, Atelier 340, Ludwigshafen am Rhein, Wilhelm-Hack-Museum, Warsaw, Museum Narodowe, Waclaw Szpakowski 1883–1973. L'infinitude de la ligne, p. 190-191.
